Excerpt from his into:
"Of all the subjects which engage the attention of the compositor, none proves
a greater stumbling-block, or is so much a matter of uncertainty and doubt . . .
as the Art of Punctuation."
—Henry Beadnell, Spelling and Punctuation, 1880
This is not a book for grammarians. Nor is it one for historians. They
can turn to Lynne Truss’s Eats, Shoots & Leaves or a host of other excellent
punctuation books written for them. This book is for the audience that needs it
the most and yet for whom, ironically, a punctuation book has yet to be written:
creative writers. This means writers of fiction, non-fiction, memoirs, poetry,
and screenplays, and also includes anyone seeking to write well, whether for
business, school, or any other endeavor.
Most writers do not want to know the 17 uses of the comma, or ponder
the 4th-century usage of the semicolon. Most writers simply want to improve
their writing. They want to know how punctuation can serve them—not how
they can serve punctuation. They have turned to books on punctuation, but have
found them painfully mundane. Unfortunately, many of these books tend to
ignore anyone hoping to use punctuation with a bit of style.
This book will offer a fresh look at punctuation: as an art form.
Punctuation is often discussed as a convenience, as a way of facilitating what
you want to say. Rarely is it pondered as a medium for artistic expression, as a
means of impacting on the content—not in a pedantic way, but in the most
profound way, where it achieves symbiosis with the narration, style, viewpoint,
and even the plot itself.
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